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What if I walked through that door
And burned this whole city down
Because I can’t look anymore without
Without breaking down
So much grief
That I weep
Time to tear it apart
Being meek is the law
When you’re not on the line
Don’t you realize that
There is no they
Just us, just us
Don’t you realize that
There is no they
Just us, just us
Breeze through
With no thought
Ignore
Keep your eyes shut tight
Acquiesce then
Forget
And walk on through
Stay blind
Have you
Ever thought to view
Yourself
In the blinding light
We are flawed
We’re all robbed
I beg of you
Just open your eyes
Don’t you realize that
There is no they
Just us, just us
Don’t you realize that
There is no they
Just us, just us
All wanting the same things
Freedom, peace, beauty
All wanting the same fucking things
Freedom, peace, and beauty
No they
Only us
Just us
Just us
No they
Only us
Just us
Just us
That is all we have
Just us
Just us
That is all there is
Just us
Just us
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Killer Bee - King of Hearts (lyrics)
Well, I know it's been hard to be my friend
Surely hard to be my lover
Trust me I've tried to bring forth the end
But, I think of my mama and think of my brother
You go ahead and I'll stay behind
I just got a lot on my mind
It's hard to turn back when the blood runs black
It's alright, I've found my way back
If you have loved me
You have suffered enough
If you have loved me
You have not suffered alone
The king of hearts took his own life
While the queen held poppies in both hands
One-eyed jack saw only half
And that was more than he could stand
I recall in a dining hall
A man's face cut open with a blade
I've played it over a thousands times
I remember when the knife was made
If you have loved me
You have suffered enough
If you have loved me
You have not suffered alone
Suffered alone
Suffered alone
Suffered alone
Suffered alone
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LYRICS
And after all is said and done
I still feel the same
Feel like it’s wrong
Like it’s dumb still
I get so down still
You’re not around anymore
Maybe it’s God that made you run off
To make up this life
Made it feel like
Like it’s love still
Are you in love still?
I still wanna know
I still want
Even with time
It still wouldn’t die
Means nothing now
But I keep it around
Only to hold still
I’m not enough, still
Don’t you think I know?
Don’t you? Don’t you?
Don’t you get tired of changing yourself?
Of finding your name in somebody else?
I see your face in the people I love
In the person I am, in the things that I know
I know you chose
But it’s not my place to say who’s right and who’s wrong
It’s something higher I can’t see how some people are
It’s something deeper inside me
Only to show at an arms length to the people that I claim to love
But that’s how it’s gonna be
I want you to know
But it’s hard to place the words I mean
Only the notion of hurt of the notion of love I need
It’s not wrong but I wanna mean it
I wanna know like you know, just how you know your own truth
Will these pieces align to give me something I can use?
Or only the time reimagined as something new?
I don’t know but I’m gonna find it
I’m gonna know what this all means, just what it means to find truth
I know what I want
To know there’s something I can
If only a drop in the ocean of something true
It’s not ’til I’m gonna see it, I’m gonna know where this all goes
How far I’ll go to find truth
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Out Of Nothing
Waiting for indefinite designs
am I stuck in the middle or falling behind
aimless, like splattered paint
with worn down philosophies of beggars and saints
I’m feeling like keeping inside
there’s nothing for me
just let me do my time
broken, to break me out
honest and bloody in the face of doubt
sometimes, I feel like fighting
with the whole world around me like a streak of lightning
I’m twisting and I’m turning
like a storm cloud
or a newborn child
Busted, and caught in the act
my perfect disguises I gave them all back
playing, without keeping score
I give all the credit, to what came before
something must be changing
out of nothing
into something more
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One who is not disturbed in mind even amidst the threefold miseries or elated when there is happiness, and who is free from attachment, fear and anger, is called a sage of steady mind.
- Bhagavad Gita 2.56
Purport
The word muni means one who can agitate his mind in various ways for mental speculation without coming to a factual conclusion. It is said that every muni has a different angle of vision, and unless a muni differs from other munis, he cannot be called a muni in the strict sense of the term. Nāsāv ṛṣir yasya mataṁ na bhinnam (Mahābhārata, Vana-parva 313.117). But a sthita-dhīr muni, as mentioned herein by the Lord, is different from an ordinary muni. The sthita-dhīr muni is always in Kṛṣṇa consciousness, for he has exhausted all his business of creative speculation. He is called praśānta-niḥśeṣa-mano-rathāntara (Stotra-ratna 43), or one who has surpassed the stage of mental speculations and has come to the conclusion that Lord Śrī Kṛṣṇa, or Vāsudeva, is everything (vāsudevaḥ sarvam iti sa mahātmā su-durlabhaḥ). He is called a muni fixed in mind. Such a fully Kṛṣṇa conscious person is not at all disturbed by the onslaughts of the threefold miseries, for he accepts all miseries as the mercy of the Lord, thinking himself only worthy of more trouble due to his past misdeeds; and he sees that his miseries, by the grace of the Lord, are minimized to the lowest. Similarly, when he is happy he gives credit to the Lord, thinking himself unworthy of the happiness; he realizes that it is due only to the Lord’s grace that he is in such a comfortable condition and able to render better service to the Lord. And, for the service of the Lord, he is always daring and active and is not influenced by attachment or aversion. Attachment means accepting things for one’s own sense gratification, and detachment is the absence of such sensual attachment. But one fixed in Kṛṣṇa consciousness has neither attachment nor detachment because his life is dedicated in the service of the Lord. Consequently he is not at all angry even when his attempts are unsuccessful. Success or no success, a Kṛṣṇa conscious person is always steady in his determination.
released August 16, 2021
Daughter of Dawn, USA
fb.com/daughterofdawnmusic
It is the solo project of Emma Goldman Grey (Malachi, Contentious, Hive), a trans musician and activist residing in the Twin Cities. Whereas Emma's former musical work tended towards the visceral end of the music spectrum, Daughter Of Dawn utilizes softness, minimally distorted guitars, electronic pulses, and glitch elements to encapsulate songs about love, grief, joy, and justice. Equal parts Electronic music, Experimental music, Trip-Hop, Art-Pop, and Dream-Pop, Daughter of Dawn is both amorphous and gripping, fluid and solid.
Lou Calista, France
lou-calista.com
Director and voice-over artist, Lou Calista decided to tell another story, her own this time, through the subjects she is most passionate about, couples and love.
Pierre, France
instagram.com/pierre.elgrishi
PIERRE is an intimate, poetic, organic project where nothing is left to chance. It wants to make us to make us dream. It is an invitation towards a journey at the same time contemplative of the universe of the artist, but also introspective, where the interpretation of the listener remains free. The common thread remains sharing and creativity, the two engines of the artist. He is impregnated with artists such as Mathieu Boogaerts, Patrick Watson, François Atlas & The Atlas
Mountain... while bringing his personal touch, hushed with an irresistible French touch.
Juhan Ongbrian, USA
instagram.com/juhanongbrian
Juhan has cornered a unique place within the world of instrumental music, bringing in influences of jazz, blues, and new-age lo-fi to create something universally his own. ”
Born in Indonesia, grew up in places like Singapore and Seattle, now based in Los Angeles.
Véronique Bilodeau, Canada
fb.com/veroniquebilodeaumusique
Véronique presents a new musical phase, she collaborates with Rosie Valland in the production. With this first single 'Détours', the young singer-songwriter offers a refreshing pop sound anchored to flamboyant and ethereal images, a universe influenced by the pop-rock music of the 90s. This song is the first single of an upcoming EP.
Bartosz Ługowski, Poland
fb.com/bartoszlugowskimusic
musician, producer, creator of theatre music. He plays mainly on plucked string instruments (acoustic guitar, electric guitar, classical guitar, ukulele, banjo). Winner of several awards, including one for the best jazz group at the Fama Festival with Rafineria band. He participates in many projects - from jazz and alternative, through acting song, to Warsaw folklore and rap. He has created music for the Teatr Ochoty, Olsztyński Teatr Lalek, Fundacja Sztuka Ciała and many others. Author of solo albums Gitarynka and Pogoda. He deals with collecting and creative processing of phonosphere, for which he received an Artistic Scholarship of the Capital City of Warsaw. He is interested in recording in unusual acoustic spaces (e.g. he recorded and produced a CD in a lighthouse). Currently co-creates Tulipaństwo and Nautofon projects.
Ekki Hugsa, Iceland | UK
bit.ly/37Uq74T
Brothers, Eric and Eckhart Hugsa. Now settled in London they release music inspired by their journey of life and places of the World.
Killer Bee, USA
instagram.com/_killerbeemusic
songwriter. New York transplant currently in Southern California. Lord, is it beautiful here. I make sad music. So it goes.
Jello Vibes, USA
fb.com/jello.vibes
Angelo Outlaw Jr. began playing mallet percussion at the age of 13. Born and raised in Philadelphia, over the years he has performed and taught in worldwide championship percussion ensembles such as The Blue Coats and Music City Mystique. With more than 10 years of teaching experience within the marching activity, he has gained knowledge from musicians from all different aspects of life. He has since developed a sound and style all his own. Using the Pearl mallet Station he has fused multiple genres together including glitch-hop, ambient, downtempo, jazz and hip hop.
Hands on Deck feat Stolen City, Ireland
Zach Promesa, USA
instagram.com/zpromesa
Iloh, France
linktr.ee/Ilohmusic
ambient and Electronica music producer in Lyon. A name reference as two worlds, immersed and emerged, complementary and inseparable that we feel in my music. An ambient background influenced by great artists as Gigi Masin, Tangerine Dream, Jonny Nash, William Basinski with an organic rythme influenced by Bonobo, Bicep, Gold Panda, Weval and many more.
Angel Moth, USA
angelmothartandmusic.com
The creation of Angel Moth arrived via a long process of Tashi's search to give birth to his most authentic and expansive musical identity. As a singer/songwriter and multi-instrumentalist, Tashi has been writing and performing since he was six. Led by an internal process of self-inquiry and dialogue between the conscious and subconscious, he explores through the mediums of songwriting and music as well as poetry and visual art. After playing in various musical projects, Tashi self-produced and recorded his debut album titled Reflections In the Dragon’s Eye under his given name Alexander Gabriel. He then began recording his second album Above The Noise with acclaimed producer and performer Walter Strauss and released it under the project name of Angel Moth. This album has an all-star lineup of musicians including: MaMuse, jazz bassist Sam Bevan, virtuoso Andy Rinehart, renowned Drummer Colin Douglas and Pedal Steel player Robert Powell. Angel Moth is both an individual and collaborative project rooted in the union of written song and the magic that comes from unfiltered, spontaneous expression.
The name Angel Moth represents the aspects of the Divine inherent in all things and the more subtle beauty found in the misunderstood aspects of the mundane. Angel Moth is a flavor that is both new and ancient and seeks to synchronize the mystical, mysterious and the relatable of human nature. From emotional to abstract, fairytale to personal narrative; poetic ballads to daring explosions of metaphor, Angle Moth is about weaving the unhinged irony of existing in a multidimensional world.
D.FIX, Russia